/Institutions/Mount-Saint-Marys-University/json/2022-2024/2022-2024-Catalog-local.json

/Institutions/Mount-Saint-Marys-University/json/2022-2024/2022-2024-Catalog.json

2022-2024 Catalog > Courses > FLM - Film

FLM - Film

• FLM 100 Special Topics
• FLM 100A Introduction to Final Cut Editing
• FLM 100B Editing with DaVinci Resolve
• FLM 100C Introduction to Adobe Premier
• FLM 100D Color Correction with DaVinci Resolve
• FLM 100E Location Sound
• FLM 100F Intro to Underwater Photography
• FLM 100G Costume Design in Film and Television
• FLM 100H Phase One Photography Capture System
• FLM 100I Practicum
• FLM 100J DIT: The Digital Imaging Technician
• FLM 100K The Business of Screenwriting
• FLM 100L Screenwriting: Crafting Dynamic Characters
• FLM 100M Film and the Holocaust
• FLM 100R Cosmic Horror
• FLM 100S SAG-AFTRA Signatory Producer Training
• FLM 101 Introduction to Film
• FLM 102 Cell Phone Cinema
• FLM 103 WWII & The Movies
• FLM 104 French Cinema
• FLM 105 Women in the Directors Chair
• FLM 106 Voice Acting
• FLM 107 Theater
• FLM 108 Live Event Production
• FLM 113 Special Topics in Acting
• FLM 114 Film Criticism
• FLM 116 Feminine Identity and the Disney Film
• FLM 117 Audio for Video Game & Interactive Media
• FLM 118 New Media
• FLM 119 Music Video Production
• FLM 120 Post Production with Adobe
• FLM 121 The Production Code
• FLM 123 Commercial Production
• FLM 124 Gender and Media
• FLM 125 Media Anthropology
• FLM 127 Documentary Storytelling
• FLM 128 Documentary Editing
• FLM 129A Documentary Filmmaking 1
• FLM 129B Documentary Filmmaking 2
• FLM 130A Documentary Production Workshop A
• FLM 130B Documentary Production Workshop B
• FLM 131A Film, Media and Social Justice
• FLM 131B Creating Entertainment Media for Social Change
• FLM 132 History of Film
• FLM 133 Music Culture and Broadcasting
• FLM 134 Non-Fiction to Film
• FLM 135 Mass Media
• FLM 136 Disney Inc. and Mass Popular Culture
• FLM 137A Screenwriting 1
• FLM 137B Screenwriting 2
• FLM 137C Screenwriting: Production Workshop - Story
• FLM 137D Professional Screenwriting & the Art of the Rewrite
• FLM 137E Developing the TV Series
• FLM 137F Writing the Interactive Story
• FLM 138A Audio Production & Recording Principles 1
• FLM 138B Audio Production & Recording Principles 2
• FLM 139A Introduction to Digital Video Production
• FLM 139B Digital Video Production
• FLM 139C Digital Video Production
• FLM 139D Digital Video Production
• FLM 140A Editing 1
• FLM 140B Editing 2: AVID
• FLM 140R Editing 1: Davinci Resolve 101
• FLM 141A Media Production/Lab Assistant
• FLM 141B Media Production/Lab Assistant
• FLM 142A Women in Hollywood
• FLM 142B Women in Hollywood
• FLM 143A Sound Design 1
• FLM 143B Sound Design 2
• FLM 143C Dolby Atmos: Advanced Audio Mixing
• FLM 144A Cinematography 1
• FLM 144B Cinematography 2
• FLM 145A Animation A
• FLM 145B Animation B
• FLM 145C Animation C
• FLM 146 Film Marketing
• FLM 148 Writing Professional Grants
• FLM 149 Cowboy Cinema
• FLM 150 The History of Television
• FLM 151 History and Theory of Comedy
• FLM 152A Music for Visual Media 1
• FLM 152B Music for Visual Media 2
• FLM 153A Visual Effects 1
• FLM 153B Visual Effects 2
• FLM 154A Producing 1: Production Management
• FLM 154B Producing 2: The Indie Feature
• FLM 155 Pro Tools Essentials
• FLM 156A Acting 1
• FLM 156B Acting 2
• FLM 157 Social Media Advocacy
• FLM 158 Heroes Villains and Warriors
• FLM 159A Video Game Design
• FLM 159B Video Game Design
• FLM 160A Directing 1
• FLM 160B Directing 2
• FLM 161 Asian Cinema
• FLM 162 Interracial Cinema
• FLM 163 Cinema and Civil Rights
• FLM 164 The Musical
• FLM 165A The Film Auteur
• FLM 165B The Film Auteur
• FLM 165C The Film Auteur
• FLM 166 Acting for Stage & Motion Capture
• FLM 167 Screenwriting Pitching & Packaging
• FLM 168 Race, Sex & Hollywood
• FLM 169 From Graphic Novel to Screen
• FLM 170 Easy Riders & Raging Bulls: 1970s Indie Cinema
• FLM 171 Film Noir and the City
• FLM 172 Crime Deviance and Violence in Film
• FLM 173 Blaxploitation Cinema
• FLM 174 Post-Production
• FLM 175 Filmmakers of Color
• FLM 176 Independent Project
• FLM 177 Science Fiction & Human Rights
• FLM 178 Suspense Horror & Mayhem
• FLM 179 A History of Romance
• FLM 182 Color Correction
• FLM 183 Editing in Different Genres
• FLM 185 The Silent Film
• FLM 180 Colonial and Postcolonial Cinema
• FLM 186 "Bollywood": Hindi Cinema
• FLM 189 Special Studies in Photography
• FLM 190 Production Design
• FLM 192 Movement for the Camera
• FLM 193A Production Workshop: On-Set Production 1
• FLM 193B Production Workshop: On-Set Production 2
• FLM 193C Production Workshop: Post-Production
• FLM 196 Experimental Film & Video
• FLM 197 Internship
• FLM 198 Senior Capstone
• FLM 199 Special Studies
• FLM 200A Screenwriting 1
• FLM 200B Screenwriting 2
• FLM 200D Professional Screenwriting & the Art of the Rewrite
• FLM 200E Developing the TV Series
• FLM 200F Writing the Interactive Story
• FLM 201 Writing for Television
• FLM 202 Special Topics
• FLM 202A Introduction to Final Cut Editing
• FLM 202B Editing with DaVinci Resolve
• FLM 202C Introduction to Adobe Premier
• FLM 202D Color Correction with DaVinci Resolve
• FLM 202E Location Sound
• FLM 202F Intro to Underwater Photography
• FLM 202G Costume Design in Film and Television
• FLM 202H Phase One Photography Capture System
• FLM 202I Practicum
• FLM 202J DIT: The Digital Imaging Technician
• FLM 202K The Business of Screenwriting
• FLM 202L Screenwriting: Crafting Dynamic Characters
• FLM 202M Film and the Holocaust
• FLM 202R Cosmic Horror
• FLM 202S SAG-AFTRA Signatory Producer Training
• FLM 203 Documentary Storytelling
• FLM 204 Documentary Editing
• FLM 205 Introduction to Digital Video Production
• FLM 207 Theater
• FLM 208 Live Event Production
• FLM 209 Special Topics in Writing
• FLM 210A Cinema Production 1
• FLM 210B Cinema Production 2
• FLM 211A Cinematography 1
• FLM 211B Cinematography 2
• FLM 212 The Art of Lighting
• FLM 214A Documentary Filmmaking 1
• FLM 214B Documentary Filmmaking 2
• FLM 215A Documentary Production Workshop A
• FLM 215B Documentary Production Workshop B
• FLM 217 Audio for Video Game & Interactive Media
• FLM 218 New Media
• FLM 219 S.T. in Cinematography
• FLM 221A Sound Design 1
• FLM 221B Sound Design 2
• FLM 221C Dolby Atmos: Advanced Audio Mixing
• FLM 222A Music for Visual Media 1
• FLM 222B Music for Visual Media 2
• FLM 223 Commercial Production
• FLM 225 Audio Storytelling
• FLM 229 Special Topics in Audio
• FLM 230A Editing 1
• FLM 230B Editing 2: AVID
• FLM 230R Editing 1: Davinci Resolve 101
• FLM 231 Darkroom Photography
• FLM 232 Color Correction
• FLM 233 Editing in Different Genres
• FLM 236 Disney Inc. and Mass Popular Culture
• FLM 238A Audio Production & Recording Principles 1
• FLM 238B Audio Production & Recording Principles 2
• FLM 239 Special Topics in Editing
• FLM 240A Producing 1: Production Management
• FLM 240B Producing 2: The Indie Feature
• FLM 240C Producing 3: Television
• FLM 241 Film Marketing
• FLM 243 Indusry & Entertainment Seminar
• FLM 245 Music Video Production
• FLM 249 Special Topics in Producting
• FLM 250 History of Film
• FLM 251 History of Animation
• FLM 252A Film Noir and the City
• FLM 252B Suspense Horror & Mayhem
• FLM 252C A History of Romance
• FLM 252D From Graphic Novel to Screen
• FLM 252E Science Fiction & Human Rights
• FLM 252F Asian Cinema
• FLM 252I Cowboy Cinema
• FLM 252J Heroes, Villains, and Warriors
• FLM 252M Film, Media and Social Justice
• FLM 252P The Silent Film
• FLM 252Q "Bollywood": Hindi Cinema
• FLM 252R Easy Riders & Raging Bulls: 1970s Indie Cinema
• FLM 252S The Musical
• FLM 252T French Cinema
• FLM 252U Filmmakers of Color
• FLM 253 Cinematic Language
• FLM 254 Film Criticism
• FLM 255A Feminine Identity and the Disney Film
• FLM 255B WWII & The Movies
• FLM 255C Women in the Directors Chair
• FLM 255P Colonial and Postcolonial Cinema
• FLM 255S Creating Entertainment Media for Social Change
• FLM 256A Photography: Studio 1
• FLM 256B Photography: Studio 2
• FLM 257 Foundations of Photography
• FLM 259 Special Topics in Film Studies
• FLM 260A Acting 1
• FLM 260B Acting 2
• FLM 262 Acting for Stage & Motion Capture
• FLM 262A Voice Acting
• FLM 265A The Film Auteur
• FLM 265B The Film Auteur
• FLM 265C The Film Auteur
• FLM 269 Special Topics in Acting
• FLM 270 After Effects
• FLM 271 Film Noir and the City
• FLM 273A Visual Effects 1
• FLM 273B Visual Effects 2
• FLM 274 Post-Production
• FLM 275 Advanced Retouching
• FLM 279 Special Topics in Digital Video Effects
• FLM 280A Animation 1
• FLM 281 Masters of Light
• FLM 282 Imaging Time
• FLM 283 Advanced Portrait Techniques
• FLM 284 Optics & Fine Art
• FLM 285A Food and Beverage Photography
• FLM 285B Advanced Tabletop Photography
• FLM 285C Automotive Photography
• FLM 285D Advanced Advertising Photography
• FLM 285E Fashion Photography
• FLM 285F Sports Photography
• FLM 285G Architectural Photography
• FLM 285H Personality Photography
• FLM 285I Wedding Photography
• FLM 285J Street Photography
• FLM 288A Global Travel Experience
• FLM 288B Global Travel Experience
• FLM 289 Special Topics in Animation
• FLM 290A Directing 1
• FLM 290B Directing 2
• FLM 291 Production Design
• FLM 292 Independent Project
• FLM 293A Production Workshop A: Writing
• FLM 293B Production Workshop B: On-Set Production
• FLM 293C Production Workshop C: Post-Production
• FLM 294 Special Topics in Photography
• FLM 295 Special Topics in Directing
• FLM 296 Independent Study
• FLM 297 Internship
• FLM 299A Thesis 1
• FLM 299B Thesis 2
• FLM 299C Thesis 3
• FLM 299D Continued Thesis